doublethink

Linking the nation: Bollywood ways In my last post I talked in some length about how newer means of technology, especially trains, have always found a prominent place in the cinematic portrayal in Hindi cinema. The range of emotions that are depicted through trains are wide, varied, and least to say, interesting. From a close camera-shot of tracks and a speeding train signifying escape, displacement, migration, and not the least death to those of scenes of crowded railway compartments in which the lovers’ eyes still managed to meet (for instance Amol Palekar and Tina Munim starrer Baaton Baaton Mein (1979), railways have remained integral to the ways in which individual sensibilities of a character in Hindi cinema has been depicted. But they signify more than that, at least in Bollywood. They signify a link, a connectivity that joins territories and groups. They signify a medium through which a nation is conceptualised. They signify a continuum through which that perceived or real (wh...