In 1930, a sadhu named Dhoortanand had come to a wealthy household of one Lalaji, promising him to double his wealth by conducting a three-day tapasya (penance, ritual). The next morning, Lalaji had to go to the police station to report on the absconding sadhu and the missing wealth. Apparently, Lalaji was not the only one to have fallen prey to the promise of becoming richer; such a tapasya, according to the police, was conducted in at least twenty-five households. Published under the title Gerua Daaku (Ochre-Robe Robber) under a Kahkaha series (joke-stories), the story and the name itself – Dhoortanand, meaning deceitful – symbolised the extent to which the figure of the sadhu had become the stock of social mocking in the early decades of the twentieth century. Cutting across layers of time, perhaps there is no other Indian figure that comes close to sadhus in being seen as the bearer of disguise and artiste of deceit. From the times of the Ramayana when Ravana disguised as ...
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In the second and fourth one, the horizon is (slightly) tilted, the human eye can't deal with that situation well and so we tend to feel a bit queasy, looking at that.
The last one is interesting, too, I personally would have chosen a smaller angle though I think.
Saltyfish: Passion for using 'corrective' softwares!? :P